Similar to the Spair Flare, the Baby Orbit adds an extra baby scratch at the beginning of a 2 click flare can add two extra notes. The trick is to have a quick baby into a longer two click flare. Makes 8 notes total.

As the name implies, the OG 2 Click Combo scratch is performed by doing an OG flare directly into a 2 click flare. Once again, the trick lies in performing a short OG flare into a longer 2 click flare. Makes 9 notes in total.

The Aquaman scratch is a more spaced-out, accented version of Boomerangs, which we’ll learn next. Start with the crossfader closed and perform a Slice to a forward, ending with the fader closed. Now repeat the same movements except reversed; Reverse slice to reverse pull, ending with the fader closed. The slices, both forward and reverse, should be quicker and shorter than the release/forward and reverse pull in order to achieve the proper timing.

The Boomerang scratch is basically a continuous Aquaman. The trick is to leave the fader open at the end of the forward and reverse record movements. This turns the scratch into a 2 click pattern, starting from fader closed, over continuous babies.

The Autobahn scratch uses a similar record movement to the Aquaman/Boomerang but creates more notes by placing clicks in the middle of the sample rather than on the ends. Start with the fader closed and perform a slice to 1 click forward. Then on the pull back do another click but end with the fader closed - similar to a flare. Makes 6 notes total.

Exactly like the forward but backward. Start at the end of the sound with the fader closed. Open the fader as you pull the record back and close the fader as you get to the beginning of the sound. Then push the record back to the end of the sound and repeat.

Phrasing is the act of breaking up a sample into either words or syllables by pausing the record with your hand in between each word or syllable. This can be done with or without the fader, but using the fader will give a sharper, cleaner sound. Say we have a sample that says “I can break it down”. To phrase that sample you would add pauses between each word, “I-can-break-it-down”. Some samples might be a little more difficult. “Cut like a guillotine” is a well-known phrasing sample but you can’t really break it up by words or samples. Instead, you need to pick out where you can add pauses so that it can be in time with the beat you are playing to. Such as “Cut-like a-guillo-tine”. “Like a” is technically two syllables but in order for it to sound right, we use it as one. Similarly, “guillotine” is three syllables but to make it fit we treat it as one. Once you’re comfortable separating a given sample try grabbing specific parts to then do other scratches with.